Dance Studio
One dancer per photo for Studio and Stage. Those build a new scene
and redraw whoever is in it, and only one face can be put back afterwards — a group
photograph comes back with everybody’s face changed. For two or more, use
Effects on my photo, which leaves your photograph alone and works around it.
Drop in a photo of your dancer and they are placed into a lit set.
Their line, their costume and their expression stay exactly as photographed —
only the background and the light change.
What are you making?
Upload a photo and it is placed into the set for you.
1 · The dancer
A cut-out or clean-background shot works best. Their pose is kept, so shoot the pose you want — kneeling, mid-stride, ball in hand.
2 · Who is it for?
Bold, intense, powerful.
One dancer only — more than one in the photo and every face is redrawn. For a group, switch to Effects on my photo.
3 · The set
4 · Shape
5 · The face
The face is taken from your photograph rather than generated, so it stays recognisably them. Every face in the photo is protected, not just the largest.
The smoke
Recolour the smoke, haze or powder and say which way it moves. Works on any set with smoke, haze, powder, fog or mist in it — and it is not only for competition colours. Rainbow, baby pink and baby blue are in the list.
Which way it moves
Anything else?
Describe what you do want — saying “no” to something here tends to make it show up, because the word itself is a hint.
6 · Make it
Every image is AI-generated and carries an invisible SynthID watermark. Check it before you send it — hands, feet and the line of the arms are where these go wrong.
Keep the real face puts the photographed face back over the generated one and colour-matches it to the new light, so the seam does not show. It needs the face to be reasonably large in frame — on a full-length portrait there is often too little to work with, and it will say so rather than land badly.
If a session has to be perfect, do not generate the person at all. Use Set & Backdrop Studio to make the room empty, download the plate, and composite your own portrait onto it in Photoshop or Evoto. Nothing about your client is regenerated that way, so the face is always exactly the face you shot. That is the route for client-facing work; this one is for speed and for content.