Fantasy Studio

A fantasy world around your photograph

The world is generated. The child is not — their face, their hands, their feet and their edges are the photograph you took.

This is not an editing program. It will not retouch skin, open eyes, change clothing or alter a child in any way. Edit your photograph first, then bring the finished picture here for the world around it.

✨ The world is created by AI. Keep places your own photograph into it, untouched. Blend lets the AI draw them into the scene, so check the face before you use it.

Your allowance: each world counts as one portrait against your 150 a month, up to 25 a day. Moving and resizing them costs nothing — only building a new world does.

1 Your photograph

Upload your finished, edited photograph — the one you would give the client. A child standing clear of the background cuts out best.

2 How it works

3 The world

Pick one to start, then write it your own way.

Describe the place — the light, the water, the weather, the colours. Not the child: they are already in your photograph.

Dress them for the world

Their face, hair and pose stay the same; a costume goes on over their clothes. Always a modest, child-appropriate dress-up costume. Leave it off to keep the outfit you photographed.

· Shape

The world is built first; your own photograph is placed into it straight after, so their face is never redrawn.

Saves at the full size of the generated set.

Their real face, in a generated set Add a photo, then generate a set to place them in

The set generates at about 1856×2304 — ideal for social and prints to roughly 8×10. Your subject is composited at the resolution of your own file, so their detail is limited only by the photograph you took.

Nothing about your subject is generated here. That is the whole difference. In Composite Studio the model looks at your photograph and paints a new child who resembles them — which is why hair softens, an ear can double, and a head sometimes comes back the wrong size. This studio never shows it the child at all. It asks for the room empty and composites your actual photograph into it.

What that asks of you. You place and scale them yourself, and the shadow under their feet is drawn rather than cast, because nothing here knows the geometry of a room it did not build. A minute of dragging, in exchange for an image with no invented child in it.

The one thing to get right in camera. Match your light to the set you plan to use. A flat studio sweep dropped into a room with hard window light will never quite sit, and no slider fixes it — the Match the set’s light control evens out colour, not direction. Shoot with the set in mind and this is indistinguishable from a real location.

If the cut-out fails, this studio stops rather than falling back to redrawing your client. A plainer background usually fixes it, and Composite Studio will still work on that photo.