Out of Frame Studio
Upload a finished image and it is rebuilt inside a frame on a wall, with the flowers, wrap or leaves spilling out over the moulding. Pick a frame, or let it choose one from the colours already in your photograph.
1 · Your image
A finished, retouched image works best — this builds the frame around what you give it.
2 · Frame
3 · What breaks out
The thing that spills over the frame edge. Leave it on Work it out and it uses whatever is already in your photograph.
4 · Shape
Anything else?
Describe what you do want — saying “no” to something here tends to make it show up, because the word itself is a hint.
The subject’s face
The face from your photograph is pasted back over the generated one. Best on a close crop where the face is large in frame — on a full-length shot it often can’t find enough to work with, and it will tell you if so.
5 · Make it
Keep the real face puts the photographed face back over the generated one and colour-matches it to the new light, so the seam does not show. It needs the face to be reasonably large in frame — on a full-length portrait there is often too little to work with, and it will say so rather than land badly.
If a session has to be perfect, do not generate the person at all. Use Set & Backdrop Studio to make the room empty, download the plate, and composite your own portrait onto it in Photoshop or Evoto. Nothing about your client is regenerated that way, so the face is always exactly the face you shot. That is the route for client-facing work; this one is for speed and for content.