Real Composite Studio

Their real face, in a generated set

The set is generated. The child is not. Their hair, their ears, their edges and their focus are the photograph you took — the model only ever sees an empty room, so there is nothing about your client for it to get wrong.

Looking for the classic Birthday studio? Baby seated inside the number, write your own theme, upscale for print — open the Classic Birthday Studio →

✨ The SET is created by AI — the room, the number, the props. Your subject is not. They are cut from your photograph and composited here in your browser, so the face, hair, hands and outfit are exactly what you shot.

Your allowance: each set counts as one portrait against your 150 a month, up to 25 a day. Placing and re-placing them costs nothing — only generating a new set does.

1 Your photograph

A photo where the child stands clear of the background cuts out best. A plain sweep is ideal.

2 Where do they go?

The number is built with a seat in its front. Drag them into it and use Size to fit. Works best with a photo of the baby sitting.

3 Collection

· Scene

· Number

Leave it empty for a set with no numeral.

· Number style

· Image size

Only the set is built by AI. Your photo is never sent to it, so nothing about your client changes.

Saves at the full size of the generated set.

Their real face, in a generated set Add a photo, then generate a set to place them in

Drag to move · nothing here is generated except the room

The set generates at about 1856×2304 — ideal for social and prints to roughly 8×10. Your subject is composited at the resolution of your own file, so their detail is limited only by the photograph you took.

Nothing about your subject is generated here. That is the whole difference. In Composite Studio the model looks at your photograph and paints a new child who resembles them — which is why hair softens, an ear can double, and a head sometimes comes back the wrong size. This studio never shows it the child at all. It asks for the room empty and composites your actual photograph into it.

What that asks of you. You place and scale them yourself, and the shadow under their feet is drawn rather than cast, because nothing here knows the geometry of a room it did not build. A minute of dragging, in exchange for an image with no invented child in it.

The one thing to get right in camera. Match your light to the set you plan to use. A flat studio sweep dropped into a room with hard window light will never quite sit, and no slider fixes it — the Match the set’s light control evens out colour, not direction. Shoot with the set in mind and this is indistinguishable from a real location.

If the cut-out fails, this studio stops rather than falling back to redrawing your client. A plainer background usually fixes it, and Composite Studio will still work on that photo.